Introduction
To incorporate an antique into a contemporary interior takes flair and imagination. To assimilate an oriental antique into a western design demands daring and wit and to integrate an exotic oriental antique into a familiar setting takes a designer of singular talent and with the lightest but surest of touches. The rugs of the oasis towns of East Turkestan are incomparable. These exotic weavings from the oases towns of Kashgar, Yarkand and Khotan in the Chinese occupied Autonomous Region of Sikiang are collectively known as Samarkands. Typically, they are of long and relatively narrow format with simplistic and spacious designs rendered in glossy wool and sometimes in richly brocaded silk and metal-thread.
The unusual rugs of Central Asia display themes from many cultures including China with fretwork borders, lotus blossoms and cloud-bands India with the swastika denoting infinity Turkey with bold reciprocal borders and carnations and Persia with floral trellis work. Traces of Buddhist symbols abound with the use of red signifying the sun and the realm of the senses, Samsara, with the blue medallions or roundels being the spiritual as well as the night, and their roundness a representation of the moon. The common placement of three medallions may represent that of a Buddha and its flanking Bohisattvas on an altar.
The use of a stylized cloud or archaic rams’ horn pattern in many borders is a combination of the mundane and the spiritual with the clouds being a celestial sign and the horns reflective of the earth and the powers of darkness. Perhaps the most evocative of all of the East Turkestan motifs is the pomegranate that signifies prosperity and fertility. Sassanian representations, Western mythologies and Islamic geometries commingle within the Buddhist leaning Samarkand repertoire. Woven at the crossroads of many civilizations it is fitting that these rugs should employ such rich and varied symbolism. Samarkand is history’s definitive melting pot and its carpets are the ultimate expression of global multiculturalism.
The unusual rugs of Central Asia display themes from many cultures including China with fretwork borders, lotus blossoms and cloud-bands India with the swastika denoting infinity Turkey with bold reciprocal borders and carnations and Persia with floral trellis work. Traces of Buddhist symbols abound with the use of red signifying the sun and the realm of the senses, Samsara, with the blue medallions or roundels being the spiritual as well as the night, and their roundness a representation of the moon. The common placement of three medallions may represent that of a Buddha and its flanking Bohisattvas on an altar.
The use of a stylized cloud or archaic rams’ horn pattern in many borders is a combination of the mundane and the spiritual with the clouds being a celestial sign and the horns reflective of the earth and the powers of darkness. Perhaps the most evocative of all of the East Turkestan motifs is the pomegranate that signifies prosperity and fertility. Sassanian representations, Western mythologies and Islamic geometries commingle within the Buddhist leaning Samarkand repertoire. Woven at the crossroads of many civilizations it is fitting that these rugs should employ such rich and varied symbolism. Samarkand is history’s definitive melting pot and its carpets are the ultimate expression of global multiculturalism.
Contact Info
Address:
Serving
Houston
TX 77084
United States
Houston
TX 77084
United States
Tel:
832-369-6918
Website:
http://www.dorisleslieblau.com/
Hours of operation
| From | To | From | To | From | To | ||
|---|---|---|---|---|---|---|---|
| Monday | Open | 12:00 am | 12:00 am | ||||
| Tuesday | Open | 12:00 am | 12:00 am | ||||
| Wednesday | Open | 12:00 am | 12:00 am | ||||
| Thursday | Open | 12:00 am | 12:00 am | ||||
| Friday | Open | 12:00 am | 12:00 am | ||||
| Saturday | Open | 12:00 am | 12:00 am | ||||
| Sunday | Open | 12:00 am | 12:00 am | ||||
